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*7  ._3_^?  232  Collection  (A)  of  the  Papers  put  forth  as  Shakespeare's,  original  soHq^ 
forgeries,  executed  by  W.  H.  Ireland,  in  1796,  mounted, 
each  leaf  signed  by  the  maker  >  /s^r* 

fet  /2n3Fc.  Uue  morocco,  gilt  edges;  from  Astle's  Collection,  with  his 


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a  '    f——  ±  *>     jC    .         /       v     rv  v 


19  Ireland  William  Henry,luthor  of  the  «  Shakspeare  Forgeries  " 
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Autographs,  and  his  own  misery,  m  /Jz.  Keare 


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BOSTON  DAILY  ADVERTISER,  I 

MONDAY  MORNING,  SEPT.  24, 1877. 


IB  ELAND'S  FORGERIES. 

A  great  library  is  like  a  shore  upon  which 
the  restless  tide  casts  all  its  burdens.  There 
are  the  rare  and  beautiful  shells,  to  use  Sir 
Isaac  Newton's  figure,  of  the  illimitable  oceai 
of  truth.  There  are  also  the  waifs  and  st~ays 
of  the  world  of  literature.  To  its  shelves 
come  both  books  and  the  crude  materials  out 
of  which  books  were  to  have  been  made,— 
these  latter  oftentimes  the  fragments  of 
wrecks,  as  it  were,  with  sad  memories  cling-  i 
ing  to  them  of  wasted  lives  and  lost  hopes. 
Among  these  fragments  stranded  in  our  pub- 
lic library  is  one  of  uncommon  interest.  1. 
is  but  a  scrap  or  two  of  paper,  it  is  true,  upon 
which  are  wiitten  a  few  almost  illegible  words. 
Yet  these  bits  of  paper,  insignificant  and  un- 
interesting as  they  seem  now,  caused  a  sensa- 
tion eighty  years  ago  in  England  almost  un- 
exampled in  its  intensity.  "When  they  were 
shown  to  Boaden;  a  scholar  of  some  note, 
they  excited  in  him,  to  use  his  own  words, 
"a  tremor  of  the  purest  delight."  Boswell, 
the  son  of  Johnson's  biographer,  fell  down  on 
his  knees  before  them,  exclaiming:  "Well,  I 
"shall  now  die  contented,  since  I  have  lived 
"to  witness  the  present  day.  I  now  kiss  the* 
"invaluable  relics  of  our  bard,  and  thanks  to 
"God  that  I  have  lived  to  see  them." 

Their  story  in  brief  is  this :  A  young  con- 
veyancer's clerk  named  Ireland,  a  lad  of 
seventeen-  suddenly  produced  some  old  manu- 
scripts which  he  said  had  been  given  him  by 
a  gentleman  who  wished  to  remain  unknown 
On  examination  they  were  pronounced  to  be 
genuine  Shakespearian  documents,  and  uni- 
versal was  the  joy  at  the  supposed  discovery. 
A  few  only,  chief  among  whom  was  Malone, 
the  accomplished  student  of  Shakespeare,  de- 
nied their  authenticity.  At  first  only  com- 
paratively short  manuscripts  were  produced, 
but  at  length  it  was  announced  that  the  manu- 
script of  a  play  called  "Vortigern  and  Row- 
"ena"  had  been  discovered.  This  increased 
the  excitement  tenfold.  Sheridan,  then  lessee 
of  the  Drury-lane  theatre,  bought  the  play  for 
£300  and  the  half-profits  for  the  first  sixty 
nights.  To  Kemble  was  given  the. part  of 
Voriigem.  The  failure  of  the  play,  brought 
about  in  great  measure  by  Kemble' s  peculiar 
emphasis,  amidst  the  wildest  uproar  of  the 
audience,  of  the  line, — 

"And  wLen  this  solemn  mockery  is  o'er," 
was  complete,  and  the  play  was  withdrawn. 


About  the  same  time  the  elder  Ireland  pub- 
lished a  description  of  the  manuscripts  with 
fac-similes.  This  publication,  together  with 
the  failure  of  Vortigern,  hastened  the  end. 
Malone  now  found  it  easy  to  show  them  to  be 
forgeries,  and  soon  after  the  "Confessions  of 
"W.  H.  Ireland"  was  given  to  the  world." 

Great  was  the  chagrin  of  all  those  who  had 
maintained  the  authenticity  of  the  manu- 
scripts at  having  been  so  thoroughly  duped 
by  a  boy,  and  it  was  not  strange  that  some 
attempted  to  deny  their  championship.   In  a 
copy  of  the  confessions  in  the  Barton  collec- 
tion of  the  public  library,  which  belonged  to 
Caley  the  antiquary,  to  whom  the  papers 
were  submitted,  is  a  note  signed  by  him  de- 
claring that  Ireland  in  his  work  had  entirely 
misrepresented  his  opinion.    Yet  the  for- 
geries were  by  no  means  clumsily  done,  j 
and  considerable  ingenuity  was  displayed  in 
giving  to  them  a  semblance  of  genuineness. 
The  paper  on  which  they  were  written  was 
taken  from  the  blank  leaves  ot  books  pub-  j 
lished  in  Shakespeare's  day.    The  threads 
attaching  the  seals  to  the  deeds  were  pro-  • 
cured  from  a  bit  of  old  tapestry  hanging  in 
an  ante-chamber  to  the  house  of  lords. 

The  specimens  m  the  library  have  a  pecu- 
liar interest,  as  they  were  mounted  by  Ireland 
himself,  and  each  leaf  is  signed  with  his 
initials.  For  a  title  there  is  written  in  a  bold 
boyish  hand,  "Ireland's  Shaksperiana.  A:D: 
"1796.  W™  Hy.  Ireland."  They  consist  of 
signatures  of  Shakespeare  and  others,  prom- 
issory notes,  bills  for  playing,  together  with  a 
memorandum  relating  to  Vortigern.  Opposite 
the  signature  of  Queen  Elizabeth,  Ireland 
has  wiitten  his  motive  for  the  forgery  of  the 
letter,  of  which  only  this  signature  is  given : 
"The  commentators  on  Shakspear  have 
"alledged  that  King  James  the  first  penned 
"an  epistle  to  Shakspear  which  prompted  me 
"to  write  the  above  epistle  as  from  Queen 
"Elizabeth.  This  was  also  done  that  our 
"bard  might  be  thought  worthy  the  notice  of 
"the  greatest  personage  of  his  time." 

Not  the  least  interesting  thing  in  this 
little  volume  is  a  letter  of  Ireland's  without 
a  date,  but  evidently  after  the  confession  of 
his  forgeries.  He  closes  with  these  words: 
"Pray  excuse  this  scrawl,  but  I  have  had 
"another  night  without  a  moment's  deep, 
"and  am  more  like  a  man  drunk  than  in  his 
"senses."  Beading  this,  and  remembering 
the  blighted  promises  of  his  remaining  life 
and  the  hopeless  mediocrity  of  his  later  writ- 
ings,— we  might  almost  have  envied  for  him 
the  fate  of  "the  marvellous  boy"  Chatterton. 
As  it  is,  few  literal y  achievements,  save  that 
of  Chatterton,  can  be  compared  with  the  pro- 
duction, in  the  course  of  a  few  months,  of 
these  manuscripts,  including  a  play  of  over 
2800  lines,  by  a  boy  of  seven  teen.  ^t<Aii  ^0 


New  Yorfe:,  Tuesday,  October  9,  IS  7  7. 


Ireland's  Forgeries. 

POSSIBLE  PEDIGBKB  OF  THE  MSS.  IN  THE  BOSTON 
LIB  BABY. 

To  the  Editors  of  the  Evening  Post  : 

In  a  late  cumber  of  your  journal  yon  copied 
from  the  Boston  Advertiser  an  article  In  relatloa 
to  the  Shakespeare  forgeries  by  Ireland,  saying 
that  "atcrap  or  two  of  the  papers  are  in  toe 
Boston  Library. "  In  1S51  James  H.  H*okeit, 
the  actor,  presented  to  me  a  oopy  of  "An  Apol- 
ogy for  the  Believers  of  the  Shafcspeare  Paper*  " 
It  is  an  octavo  volume  of  630  pages,  printed  in 
1797,  Ou  a  flyleaf  in  the  book  is  the  following 
writing: 

"  This  Book  was  written  by  G.  Chalmers,  Esq  , 
Chief  Clerk  In  the  Earl  of  Liverpool's  oflice.  It 
is  generally  believed  that  Dir.  Chalmers  lncended 
this  work  to  prove  the  authenticity  of  the  papers 
laid  before  the  public  by  Air  Ireland,  bat  on 
young  Ireland's  avowing  the  whole  to  be  a  for- 
gery, Mr  Chalmers,  not  willing  to  loss*  so  mach 
iaboa  -  and  Industry,  gave  it  to  the  world  in  its 
present  form." 

On  an  adjoining  fly-leaf,  In  the  handwriting  of 
Mr.  Baokett,  is  the  following: 

"These  8bakspeare  Forgeries,  young  Ireland's 
original  work,  interspersed  wish  his  own  mar- 
ginal notes  and  copious  M8.  remarks  upon 
incidents  connected  with  their  production  and 
first  exhibition  to  the  public,  as  well  a?  the 
imposition  of  authority  practised  upon  his  cred- 
ulous father  before  they  were  suomitced  to  gen- 
eral inspection,  were  pledged  to  th<*  lace  Charges 
Mathews,  the  celebrated  mimic,  for  fifty  poauds 
(£50),  by  young  Ireland,  wno  never  was  aole  to 
redeem  them,  and  eventually  so<d  the  work  to 
him.  At  Mathews's  deatn  and  sale  of  bis  effects 
they  were  purchased  by  John  ft  Ourrant,  a 
wealthy  stockbroker  of  London,  who  sold  thsm  j 
to  me.  1  sold  them  to  Benry  S  evens,  an  Acnerl-  : 
can  and  a  collector  of  literary  curiosities  «n  Lon- 
don. J  as.  B.  Hackbtt." 

"The  scrap  or  two  in  the  Boston  Ltorary" 
must  have  been  a  part  of  the  papers  mentioned 
by  Mr.  Baokett.  J.  J.  M. 

FlshkUl-on  Hudson,  October  1, 1877.